《音(yin)乐探索》2020年(nian)第(di)4期目录
艺术教(jiao)育
03 刘立云、李林芸、柳良/综合驱动(dong)创新 统(tong)整(zheng)彰显特(te)色——基于(yu)四川音乐学(xue)院“艺术课程”的统(tong)整(zheng)研究
LIU Liyun, LI Linyun, LIU Liang: A Study on the Integration of Art Courses in SCCM
10 刘(liu)永福/基本乐科教学现(xian)状及(ji)问题反思
LIU Yongfu: The Current Situation of Teaching Basic Music Subjects and Some Reflections on Its Problems
15 朱玉江/当代(dai)知识(shi)观转型(xing)与学(xue)校音乐课程范(fan)式转向
ZHU Yujiang: The Transformation in the Contemporary Conception of Knowledge and the Paradigm for School Music Course
新(xin)文科建设
23 孙洪(hong)斌/“新文(wen)科”理念下艺术复合型人才创新性培(pei)养模式探索与实践
SUN Hongbin: The Exploration and Practice in the Innovative Mode of Cultivating Compound Art Talents in the Context of “New Liberal Arts”
29 康瑞(rui)军/“新文科”背景下高师音(yin)乐专(zhuan)业(ye)学(xue)科建设(she)的挑战(zhan)与出路
KANG Ruijun: The Challenge and Outlet for the Disciplinary Construction of Music as Major in Normal Universities in the Context of “New Liberal Arts”
音乐(le)产业(ye)
34 赵志安、曹军军、王毅潇/国家音乐产业基地园区评价指标体系的初步建(jian)构
ZHAO Zhi’an, CAO Junjun, WANG Yixiao: The Construction of the Evaluation Index System for National Music Industrial Base
43 林印吉/从(cong)声音装置艺(yi)术作品看(kan)艺(yi)术与科技的融合
LIN Yinji: The Fusion of Art and Technology Viewed from the Sound Installation Works
48 曾(ceng)诚/商业(ye)音乐产品模式对(dui)流行音乐制作(zuo)教学的影响
ZENG Cheng: The Influence of Commercial Music Products Mode on Popular Music Production Teaching
艺术(shu)批评
54 居其宏/我国歌剧史论研究和(he)批评的现状(zhuang)与思(si)考
JU Qihong: The Current Situation of Studies and Criticisms on China Opera History and Some Reflections on It
59 陈玲俐/利(li)盖蒂(di)的“静态”音乐研究(jiu)——以《永恒之光》为例
CHEN Lingli: On György Ligeti’s “Static” Music: A Case Study of Lux Aeterna
70 朱为总(zong)、朱温臣/信仰(yang)抉择(ze) 人(ren)性光芒——浅评现代越剧《枫叶(ye)如花》
ZHU Weizong, ZHU Wenchen: Choice in Belief and Light of Human Nature: A Brief Review of Modern Yue Opera Flower-like Maple Leaves
王(wang)光祈研(yan)究
74 杨(yang)晓琴、董一知/歌剧(ju)还是戏曲?——论(lun)王光祈歌剧(ju)观
YANG Xiaoqin, DONG Yizhi:A Study on Wang Guangqi’s Conception of Opera
人(ren)工智能音乐
82 杨(yang)小影/“智(zhi)能+钢琴教育”初步构想浅析
YANG Xiaoying: An Analysis of the Preliminary Conception for AI Assisted Piano Education
87 夏一婷、蔡梓(zi)丰/让音乐辅助大脑休息(xi)——冥想音乐研究综述(shu)
XIA Yiting,CAI Zifeng: Resting the Brain by Music: A Review of the Studies on Meditation Music
民族民间音乐
92 齐柏平/唐代“山歌”的(de)内涵与外延
QI Baiping: The Connotation and Denotation of the Folk Songs in the Tang Dynasty
99 丁博、杨曦帆/“整体性”考量(liang):从(cong)学理方法与区(qu)(qu)域实践说起——岷江上游地区(qu)(qu)藏羌多声部民歌研(yan)究回顾与展望
DING Bo, YANG Xifan: A Review and Outlook for the Multi-Voice Songs of Tibetan and Qiang People in the Upper Reaches of Min River
108 吴志闹(nao)/琵琶(pa)在当(dang)代民族管弦乐队(dui)弹拨乐组中(zhong)的配器
WU Zhinao: The Orchestration of Pipa in Plucked Strings of Contemporary Chinese National Orchestra
音乐史学
116 陈海、田可(ke)文(wen)/论柏林(lin)歌曲乐派的(de)三阶段及其风格
CHEN Hai, TIAN Kewen: The Three Stages of Berlin Lieder School and Its Style
127 汪洋、董楚玮/李树化在浙江大学(1946~1956年)的音乐活动考(kao)
WANG Yang, DONG Chuwei: An Investigation into the Musical Activities of Li Shuhua in Zhejiang University from 1946 to 1956
136 池瑾璟/新历史主义视阈下(xia)的【满庭芳】研究
CHI Jinjing: A Study on the Tune Pattern Mantingfang in the Perspective of New Historicism
142 《音(yin)乐探索》第三十六卷(juan)总目录(lu)
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